18W Audio Amplifier
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High Quality very simple unit
No need for a preamplifier
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Circuit diagram:
Amplifier parts:
P1_____________22K Log. Potentiometer (Dual-gang for stereo)
R1______________1K 1/4W Resistor
R2______________4K7 1/4W Resistor
R3____________100R 1/4W Resistor
R4______________4K7 1/4W Resistor
R5_____________82K 1/4W Resistor
R6_____________10R 1/2W Resistor
R7_______________R22 4W Resistor (wirewound)
R8______________1K 1/2W Trimmer Cermet (optional)
C1____________470nF 63V Polyester Capacitor
C2,C5_________100µF 3V Tantalum bead Capacitors
C3,C4_________470µF 25V Electrolytic Capacitors
C6____________100nF 63V Polyester Capacitor
D1___________1N4148 75V 150mA Diode
IC1________TLE2141C Low noise, high voltage, high slew-rate Op-amp
Q1____________BC182 50V 100mA NPN Transistor
Q2____________BC212 50V 100mA PNP Transistor
Q3___________TIP42A 60V 6A PNP Transistor
Q4___________TIP41A 60V 6A NPN Transistor
J1______________RCA audio input socket
Power supply parts:
R9______________2K2 1/4W Resistor
C7,C8________4700µF 25V Electrolytic Capacitors
D2_____________100V 4A Diode bridge
D3_____________5mm. Red LED
T1_____________220V Primary, 15 + 15V Secondary, 50VA Mains transformer
PL1____________Male Mains plug
SW1____________SPST Mains switch
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Notes:
" Can be directly connected to CD players, tuners and tape recorders.
" Do not exceed 23 + 23V supply.
" Q3 and Q4 must be mounted on heatsink.
" D1 must be in thermal contact with Q1.
" Quiescent current (best measured with an Avo-meter in series with Q3 Emitter) is not critical.
" Adjust R3 to read a current between 20 to 30 mA with no input signal.
" To facilitate quiescent current setting add R8 (optional).
" A correct grounding is very important to eliminate hum and ground loops. Connect to the same point the ground sides of J1, P1, C2, C3 & C4. Connect C6 to the output ground.
" Then connect separately the input and output grounds to the power supply ground.
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Technical data:
Output power: 18 Watt RMS @ 8 Ohm (1KHz sine wave)
Sensitivity: 150mV input for 18W output
Frequency response: 30Hz to 20KHz -1dB
Total harmonic distortion @ 1KHz: 0.1W 0.02% 1W 0.01% 5W 0.01% 10W 0.03%
Total harmonic distortion @10KHz: 0.1W 0.04% 1W 0.05% 5W 0.06% 10W 0.15%
Unconditionally stable on capacitive loads
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Direct Links
Sunday, December 30, 2007
18W Audio Amplifier
Modular Audio Preamplifier and Tone Control
Main Module circuit diagram:
Parts:
R1_______________1K5 1/4W Resistor
R2_____________220K 1/4W Resistor
R3______________18K 1/4W Resistor
R4_____________330R 1/4W Resistor
R5______________39K 1/4W Resistor
R6______________56R 1/4W Resistor
R7,R10__________10K 1/4W Resistors
R8______________33K 1/4W Resistor
R9_____________150R 1/4W Resistor
R11_____________ 6K8 1/4W Resistor
R12,R13________100R 1/4W Resistors
R14____________100K 1/4W Resistor
C1_____________220nF 63V Polyester Capacitor
C2_____________220pF 63V Polystyrene or ceramic Capacitor
C3_______________1nF 63V Polyester or ceramic Capacitor
C4,C7___________47µF 50V Electrolytic Capacitors
C5,C6__________100µF 50V Electrolytic Capacitors
Q1,Q2_________BC550C 45V 100mA Low noise High gain NPN Transistors
Q3____________BC556 65V 100mA PNP Transistor
Q4____________BC546 65V 100mA NPN Transistor
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Tone Control Module circuit diagram:
Parts:
R1,R7___________47K 1/4W Resistors
R2_____________220K 1/4W Resistor
R3______________18K 1/4W Resistor
R4_____________330R 1/4W Resistor
R5______________39K 1/4W Resistor
R6______________56R 1/4W Resistor
R8_____________150R 1/4W Resistor
R9______________10K 1/4W Resistor
R10,R16__________6K8 1/4W Resistors
R11,R12________100R 1/4W Resistors
R13____________100K 1/4W Resistor
R14______________1K5 1/4W Resistor
R15,R21,R22______4K7 1/4W Resistors
R17,R24,R26______8K2 1/4W Resistors
R18______________3K3 1/4W Resistor
R19______________1K 1/4W Resistor
R20____________470R 1/4W Resistor
R23,R25_________12K 1/4W Resistors
R27,R28__________4K7 1/4W Resistors
C1_____________220nF 63V Polyester Capacitor
C2_______________1nF 63V Polyester or ceramic Capacitor
C3,C6___________47µF 50V Electrolytic Capacitors
C4,C5__________100µF 50V Electrolytic Capacitors
C7______________10nF 63V Polyester Capacitor
C8,C9__________100nF 63V Polyester Capacitors
Q1,Q2_________BC550C 45V 100mA Low noise High gain NPN Transistors
Q3____________BC556 65V 100mA PNP Transistor
Q4____________BC546 65V 100mA NPN Transistor
SW1,SW2_______2 poles 6 ways Rotary Switches
Simpler, alternative Tone Control parts:
P1______________22K Linear Potentiometer
P2______________47K Linear Potentiometer
R29,R30________470R 1/4W Resistors
R31,R32__________4K7 1/4W Resistors
C10_____________10nF 63V Polyester Capacitor
C11,C12________100nF 63V Polyester Capacitors
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Comments:
If a Tone Control facility is not needed, the Preamplifier will be formed by the Main Module only. Its input will be connected to some sort of changeover switch, in order to allow several audio reproduction devices to be connected, e.g. CD player, Tuner, Tape Recorder, iPod, MiniDisc etc. The total amount and type of inputs is left to the choice of the home constructor.The output of the Main Module will be connected to a 22K Log. potentiometer (dual gang if a stereo preamp was planned). The central and ground leads of this potentiometer must be connected to the power amplifier input.
Tone Control Module:
This Module employs an unusual topology, still maintaining the basic op-amp circuitry of the Main Module with a few changes in resistor values.A special feature of this circuit is the use of six ways switches instead of the more common potentiometers: in this way, precise "tone flat" setting, or preset dB steps in bass and treble boost or cut can be obtained. Tone Control switches also allow a more precise channel matching when a stereo configuration is used, avoiding the frequent poor alignment accuracy presented by common ganged potentiometers.Six ways (two poles for stereo) rotary switches were chosen for this purpose as easily available. This dictated the unusual "asymmetrical" configuration of three positions for boost, one for flat and two for cut. This choice was based on the fact that tone controls are used in practice more for frequency boosting than for cutting purposes. In any case, +5dB +10dB and +15dB of bass boost and -3dB and -10dB of bass cut were provided. Treble boost was also set to +5dB +10dB and +15dB and treble cut to -3.5dB and -9dB.
Those wishing to use common potentiometers in the usual way for Tone Controls may use the circuit shown enclosed in the dashed box (bottom-right of the Tone Control Module circuit diagram) to replace switched controls.
The Tone Control Module should usually be placed after the Main Input Module, and the volume control inserted between the Tone Control Module output and the power amplifier input. Alternatively, the volume control can also be placed between Main Input Module and Tone Control Module, at will. Furthermore, the position of these two modules can be also interchanged.
Power supply:
The preamplifier must be feed by a dual-rail, +24 and -24V 50mA dc power supply. This is easily achieved by using a 48V 3VA center-tapped mains transformer, a 100V 1A bridge rectifier and a couple of 2200µF 50V smoothing capacitors. To these components two 24V IC regulators must be added: a 7824 (or 78L24) for the positive rail and a 7924 (or 79L24) for the negative one.The diagram of such a power supply is the same of that used in the Headphone Amplifier, but the voltages of the secondary winding of the transformer, smoothing capacitors and IC regulators must be uprated. Alternatively, the dc voltage can be directly derived from the dc supply rails of the power amplifier, provided that both 24V regulators are added.
Note:
" If this preamplifier is used as a separate, stand-alone device, thus requiring a cable connection to the power amplifier, some kind of output short-circuit protection is needed, due to possible shorts caused by incorrect plugging. The simplest solution is to wire a 3K3 1/4W resistor in series to the output capacitor of the last module (i.e. the module having its output connected to the preamp main output socket).
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Technical data:
Main Module Input sensitivity: 250mV RMS for 1V RMS output
Tone Control Module Input sensitivity: 1V RMS for 1V RMS output
Maximum output voltage: 13.4V RMS into 100K load, 11.3V RMS into 22K load, 8.8V RMS into 10K load
Frequency response: flat from 20Hz to 20KHz
Total harmonic distortion @ 1KHz: 1V RMS 0.002% 5V RMS 0.003% 7V RMS 0.003%
Total harmonic distortion @10KHz: 1V RMS 0.003% 5V RMS 0.008% 7V RMS 0.01%
Linear FM 30Watt
Linear FM 30Watt
· Tendency of operation: 18V
· Current of Collector: max 3 5th
· Gain: max 10dB
· Force of Expense: 25-30 W
· Output (order C): > 60%
C1, C2, C3, C4 = 10 ? 80pF
C 5 = 10nF
C6 = 1000pF
C7 = 100nF
C8 = 2200mF/35V
L1 = 1 coil with diameter of 10 mms, 1 mm
L2 = 7 coils with diameter of 10 mms, 0,8 mm
L3 = 3 coils with diameter of 10 mms, 1 mm
TR1 = BLY89
RFC = RF tsok
DC Protection / Time Delay for Loudspeaker
DC Protection / Time Delay for Loudspeaker
A exceptionally useful circuit for all the final amplifiers, but also in other applications that we needed some time delay and protection DC. The particular circuit combines enough operations, as: [ 1 ] Smooth departure of benefit of AC line of network, with delay 1sec, to the transformers of power supply of amplifier, via the RL1 and the resistance Rx. (see block diagram). [ 2 ] Delay of connection of expenses of final amplifiers, in headphone, in order that noises emanating from the charge - uncharged of capacitors of power supply, they do not pass in them. Simultaneously becomes control of exit of amplifiers for existence of continuous voltage [DC]. If all go well it connects, the amplifiers in loudspeaker. At the duration of operation of amplifiers, exists continuous control, for DC voltage in the exit of amplifiers, unplug him loudspeaker, if is presented problem ph. "opens" some transistor in the final stage and passes the voltage of supply to loudspeaker. [ 3 ] Clue of situation ERROR, optically with the LD3 (can is flash led) and soundly with buzzer (BZ). [ 4 ].
A other operation that exists and with difficulty will find in proportional circuits, is also the existence second relay (RL3), with parallel contacts in the main relay (RL2), connection the loudspeaker in the amplifiers, that it little closes afterwards the RL2. The idea I add one still relay, was supported in the problems that exist, after frequent use of RL2, his contacts are degraded by the electric arcs that are created when it opens and closes relay. Result is a spectrum of frequencies, because the high resistance that is developed in the contacts, the sound of be degraded.
This problem is untied to a large extent, if are added, other contacts at the same time with first, that would close after them, remaining thus clean, one and are not created, on them, differences of potential, so that they are degraded. The circuit can work excellently also in actively loudspeaker one and the circuits of detection DC, afterwards the J2, can make so much all loudspeakers we have. In this case, they will need so much circuits of protection, that actively loudspeaker, we have. In the BLOCK diagram I give a flavour of typical connections, that can become, when the circuit use in stereo amplifier and his supply are taken from main power supply his.
How it works.
The supply of circuit becomes from a AC line in the J1. This voltage can be from a separate transformer 2X12V (the prices of materials that I give it is for 2X12V AC), from existing coil 12V in their M/T of power amplifier or if it cannot become somebody from the two, then from the coils of mainly supply final amplifier, adapting always the prices of resistances R1/2 and R3, proportionally the price of voltage that is supplied the amplifier, according to the law of Ohm and the fall of voltage that we want to achieve (R=V/i). The voltage that it should we have in point A, before the IC2, should is bigger than + 15V 200mA, the IC2 supplies all the relay and led. The remainder circuit is supplied by the R3/D9. When we supply the amplifier with voltage of network (220V AC), charge the C6 via the R4, the price in the entry of IC1a is (H) exit (L) Q1- RL1, is in cutting off. In line with being first the M/T of power supply, intervenes the RX, which ensures smooth connection the M/T in the network, avoiding the burn of fuses, specifically if the force power supply, is big. After 1sec after charge the C6, his negative pole goes to 0V, the entry of IC1A becomes 0V (L), conduct Q1 closes the RL1, short the resistance RX and all the voltage of network is applied in the M/T. Simultaneously turns on LD 1. Via the R5 charge slow the C7 (~5sec), when charge the situation in the pin5 of IC1b become (H), (the other are already (H) from the R23), exit is (L) and the exit of IC1C (H), the Q2 drive the RL2, giving the output of amplifiers in loudspeaker. Simultaneously via the R13 charge the C8 (~2 sec). Hardly charge the C8, conduct the Q3 and close the contacts of RL3, at the same time with those of RL2. The circuit is in complete operation. If we interrupt the line of network all the supply?s fall very fast, with result all relay is cut off, very rapidly cut off, him loudspeakers. If are presented some continuous voltage in entries J2/1 and J2/4, the two circuits of detection DC, then the Q5 or Q6 conduct and lead the entry of IC1b to pin 5 to 0V (L), with result the exit is become (H), the exit of IC1c to be become (L), transistors Q2-3 are cut off and away also the RL2-3 to open, disconnect, him loudspeakers, from the output of amplifiers, until is raised the cause of presence DC.. The same time the exit of IC1D, becomes (H), Q4 conduct, the buzzer [BZ] sounds and turns on the LD3, signaling error. The intensity of sound of BZ, can be regulated from the TR1, but it can it is suppressed if we do not want sound clue of error. The prices of times can change, if are changed capacitors C7-8, with different capacity. Resistances R1-2 if use finally, R3 and R?, should be in some distance from pcb, one and likely hot. The IC2 should enter on heatsink, specifically if the voltage of entry exceeds the +15V. Big attention it should we give in the circuit round resistance RX/CX and the contacts of RL1, because the voltage of network is dangerous (DANGER of ELECTROCUTION). For this reason good it is insulation. What it should we are careful is the quality of all relay, is very good and from known constructor.
R1-2=See text*
D1-4= 1N4007
R3=470R 1W*see text
D5-8= 1N4148
R4-5= 1M D9=12V 1.2W Zener
R6-7= 1K D10-22= 1N4148
R8-14= 15K LD1-2= LED
R9-15= 56K LD3=Flash Led [RED]
R10-16= 56K BZ= BUZZER 12V
R11-17= 10K J1-4= Connectors
R12-13= 39K TR1= 10K Trimmer
R18= 39K RL1-3= 12V 2X2(10A)RELAY
R19= 1K2
R20= 1K
R21-22= 3K9
R23= 22K
R24= 39K
RX= 47R 10W
C1= 220uF 63V
C2-5= 47uF 63V
C3-4=100nF
C6= 1uF 25V
C7= 4.7uF 25V
C8= 470uF 16V
C9-14= 22uF 16V
C10-13= 33uF 63V
CX= 33nF 630V
IC1= 4093 cmos
IC2= 7812T
Q1-4= BD679
Q5-6= BC550C
Loudspeaker Protection with Soft Start
Loudspeaker Protection with Soft Start
This is a small protection circuit from loudspeakers, from DC voltage that likely to exist after some damage in the power amplifier. If a DC voltage is presented in the exit of amplifier, RL1 it interrupts immediately the line of loudspeakers preventing thus to reach in he. Parallel it provides a delay time of 3 seconds from the moment where the power supply will be applied. This delay protects the loudspeakers from undesirable bangs that are observed when open the supply switch. The Leds D 4-5 provide a optical indication for the circuit operation [D4 (green)=OK and D5(red)= delay or presence DC voltage]. The supply of circuit becomes from a symmetrical ?12Volts, which we can take from small independent power supply or from afterwards suitable demotion of main power supply. It will be supposed you make a circuit of protection for each final amplifier that you dispose. Proportional attention it should you show for the quality of RL1 that the contacts of will be supposed to bear the current that passes from he.
Part List
R1=22Kohm
R2-3=390Kohm
R4=470Kohm
R5=1Mohm
R6-7-8-9-10-12=10Kohm
R11=820 ohm
RL1=Relay 12VDc Omron G2R2
C4-5=100uF 25V
C1-2-3=47uF 63V
IC1=TL071
Q1=BC560C
Q2-3-4=BC550C
Q5=BD139
D1-2-3=1N4148
D4=Green 5mm Led
D5=Red 5mm Led
J1=3pin connector with 2.54mm step
J2=2pin connector with 2.54mm step
J3=2pin connector with 3.96mm step
Friday, December 28, 2007
Single Chip 50 Watt / 8 Ohm Power Amplifier
Single Chip 50 Watt / 8 Ohm Power Amplifier
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Circuit Description
There are many instances where a simple and reliable power amplifier is needed - rear and centre channel speakers for surround-sound, beefing up the PC speakers, etc.
This project (unlike most of the others) is based almost directly on the "typical application" circuit in the National Semiconductor specification sheet. As it turns out, the typical application circuit is not bad - would I go so far as to say hi-fi in the audiophile sense? Perhaps - with caveats. It has good noise and distortion figures, and is remarkably simple to build if you have the PCB.
26 Sept 2000
From testing the prototype boards, I was a little more critical of everything. The sound quality is excellent! As long as the protection circuitry is never allowed to operate, the performance is exemplary in all respects.
The ESP version of the circuit has connections for a SIM (Sound Impairment Monitor), and if the amp is going to be used anywhere near its limits, I strongly recommend that you use the add-on SIM circuit. I will eventually simplify the "simple" version of the SIM so that it can be used more easily for exactly this purpose.
Figure 1 shows the updated schematic - this is almost the same as in the application note (redrawn), polyester bypass capacitors have been added, and the mute circuit has been disabled (this function would more commonly be applied in the preamp, and is not particularly useful anyway IMHO).
Figure 1 - LM3876T Power Amplifier Circuit Diagram
Voltage gain is 27dB as shown, but this can be changed by using a different value resistor for the feedback path (R3, currently 22k, between pins 3 and 9). The inductor consists of 10 turns of 0.4mm enamelled copper wire, wound around the body of the 10 Ohm resistor. The insulation must be scraped off each end and the wire is soldered to the ends of the resistor.
The 10 Ohm and 2.7 Ohm resistors must be 1 Watt types, and all others should be 1% metal film (as I always recommend). All electrolytic capacitors should be rated at 50V if at all possible, and the 100nF (0.1uF) caps for the supplies should be as close as possible to the IC to prevent oscillation.
The supply voltage should be about +/- 35 Volts at full load, which will let this little guy provide a maximum of 56 Watts (rated minimum output at 25 degrees C). To enable maximum power, it is important to get the lowest possible case to heatsink thermal resistance. This will be achieved by mounting with no insulating mica washer, but be warned that the heatsink will be at the -ve supply voltage and will have to be insulated from the chassis. For more info on reducing thermal resistance, read the article on the design of heatsinks - the same principles can be applied to ICs - even running in parallel. I haven't tried it with this unit, but it is possible by using a low resistance in series with the outputs to balance the load.
Figure 2 - IC Pinouts
Figure 2 shows the pinouts for the LM3876, and it should be noted that the pins on this device are staggered to allow adequate sized PCB tracks to be run to the IC pins. The 3886 has (almost) identical pinouts, and can be used instead if a little more power is required.
If the LM3886 is used, Pin 5 must be connected to the +ve supply - if you have the PCB, a link is necessary to make the connection, as it is not provided on the board.
The PCB for this amp is for a stereo amplifier, is single sided, and supply fuses are located on the PCB. The entire stereo board including four fuses is 115mm x 40mm (i.e. really small).
To reiterate a point I have made elsewhere, never operate this amp without a heatsink (this applies to nearly all amplifiers). It will overheat very quickly, and although the internal protection will shut the amp down to protect it from damage, this is not something you want to test for no good reason.
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How Does It Sound?
The sound quality is very good - as I said at the beginning, I would call it audiophile hi-fi - with caveats. Provided the amp is never allowed to go anywhere near clipping it sounds very good indeed. This is the rub - because of the comprehensive overload protection (which I have never liked in any form) this amp provides more and nastier "artefacts" as it clips than a "normal" amplifier.
The protection circuitry is called SPiKe™ by National - this stands for Self Peak instantaneous Temperature (°Ke) (sic) and will protect the amp from almost anything. Although in theory this is a good thing, it's not so good when the protection circuits operate, so make absolutely sure that the amp is only used in applications where clipping will never occur, or is relatively lightly loaded.
This might sound like a tall order, but for rear speakers in a surround system, or to put some serious grunt into those 400W PMPO PC speakers (with the 5W RMS amplifiers - I'm not kidding), this amp is a gem.
It could also be used as a midrange and/or tweeter amp in a tri-amped system - there are a lot of possibilities, so I will leave it to you to come up with more.
Thursday, December 27, 2007
Quadraphonic Amplifier
Quadraphonic Amplifier
Description:
circuit:
Parts List:
D1-D4: 1N4001 (4)
C1,C20: 1000u CAP (2)
C2,C11: 47u CAP (2)
C3,C5,C7,C8,C12,C14,C16,C17,C21,C22: 0.1u CAP (10)
C4,C6,C13,C15: 10u CAP (4)
C9,C10,C18,C19: 2200u CAP (4)
R1,R4,R9,R12: 1M RESISTOR (4)
R2,R6,R10,R14: 100k RESISTOR (4)
R3,R5,R11,R13: 1k RESISTOR (4)
R7,R8,R15,R16: 2R7 RESISTOR (4)
IC1: 7812 (1)
IC2,IC3: LM1778N (2)
SPK1,SPK2,SPK3,SPK4: 8R 2 Watt speakers (4)
Notes:
Connections:
Allpass network shifts signals 90°
Allpass network shifts signals 90°
Unlike lowpass, bandpass, and other magnitude-altering filters, allpass filters can shift the phase of a signal without affecting its amplitude. For a first-order allpass circuit, the transfer function is
As you sweep the variables from zero (dc) to infinity, the sign of H(s) changes from plus to minus, indicating a change in phase from 0 to 180°. You can realize this transfer function in two wideband transconductance amplifiers (WTAs). The circuitry inside the dashed lines in Fig 1 is one allpass network.
A WTA's transfer function is IOUT8VIN/Z, where 8 is simply an internal constant and Z is an external gain-setting component connecting the WTA's Z+ and Z- pins. The transfer function for voltage amplification is VOUT/VINIOUTxZOUT. Most applications require a resistive Z. But the WTA also accepts an inductor, a capacitor, or any other impedance network for Z.
The allpass circuit combines a resistive-Z WTA (IC1) with a capacitive-Z WTA (IC2). At low frequencies, IC1 dominates the circuit's output because the capacitor's high impedance allows only a low IOUT from IC2. Rising frequencies lowers this impedance, causing the current from IC2 to dominate at high frequencies. Moreover, IC2 inverts, and IC1 does not, producing the desired noninverting unity gain at dc and inverting unity gain at high frequencies.
Communications and signal-processing applications use allpass networks widely. An example is a 90°-phase-shift network, which, with appropriate mixers, produces a single-sideband signal. In Fig 1, the two allpass circuits have corner frequencies that differ by a factor of 7.5. The output RC networks determine these corner frequencies. The result is an output-phase difference that remains close to 90° over a wide frequency range. Measurements show 0.2-dB amplitude variations and a phase difference of 90°±7° from 180 to 740 kHz-a 4:1 range. (DI #1696)
Two wideband transconductance amplifiers (WTAs) form an allpass network (within dashed lines). Combining two such networks produces two outputs having a constant 90° phase shift versus frequency between them.
3 Watt FM Transmitter
3 Watt FM Transmitter
Schematic
This is the schematic of the 3W FM Transmitter
Parts
Part Total Qty. Description Substitutions
R1,R4,R14,R15 4 10K 1/4W Resistor
R2,R3 2 22K 1/4W Resistor
R5,R13 2 3.9K 1/4W Resistor
R6,R11 2 680 Ohm 1/4W Resistor
R7 1 150 Ohm 1/4W Resistor
R8,R12 2 100 Ohm 1/4W Resistor
R9 1 68 Ohm 1/4W Resistor
R10 1 6.8K 1/4W Resistor
C1 1 4.7pF Ceramic Disc Capacitor
C2,C3,C4,C5,C7,
C11,C12 7 100nF Ceramic Disc Capacitor
C6,C9,C10 3 10nF Ceramic Disc Capacitor
C8,C14 2 60pF Trimmer Capacitor
C13 1 82pF Ceramic Disc Capacitor
C15 1 27pF Ceramic Disc Capacitor
C16 1 22pF Ceramic Disc Capacitor
C17 1 10uF 25V Electrolytic Capacitor
C18 1 33pF Ceramic Disc Capacitor
C19 1 18pF Ceramic Disc Capacitor
C20 1 12pF Ceramic Disc Capacitor
C21,C22,C23,C24 4 40pF Trimmer Capacitor
C25 1 5pF Ceramic Disc Capacitor
L1 1 5 WDG, Dia 6 mm, 1 mm CuAg, Space 1 mm
L2,L3,L5,L7,L9 5 6-hole Ferroxcube Wide band HF Choke (5 WDG)
L4,L6,L8 3 1.5 WDG, Dia 6 mm, 1 mm CuAg, Space 1 mm
L10 1 8 WDG, Dia 5 mm, 1 mm CuAg, Space 1 mm
D1 1 BB405 BB102 or equal (most varicaps with C = 2-20
pF [approx.] will do)
Q1 1 2N3866
Q2,Q4 2 2N2219A
Q3 1 BF115
Q5 1 2N3553
U1 1 7810 Regulator
MIC 1 Electret Microphone
MISC 1 PC Board, Wire For Antenna, Heatsinks
Notes
2. Q1 and Q5 should be cooled with a heat sink. The case-pin of Q4 should be grounded.
3. C24 is for the frequency adjustment. The other trimmers must be adjusted to maximum output power with minimum SWR and input current.
4. Local laws in some states, provinces or countries may prohibit the operation of this transmitter. Check with the local authorities.
Low pass filter - Subwoofer
Theoretical circuit
Manufacture Parts
R1 = 39 Kohm R2 = 39 Kohm
R3 = 47 Kohm R4 = 10 Ohm
R5 = 22 Kohm R6 = 4,7 Kohm
R7 = 22 Kohm R8 = 4,7 Kohm
R9 = 10 Ohm R10 = 220 Ohm
C1 = 39 pF C2 = 0.1 uF
C3 = 0.1 uF C4 = 0.2 uF
C5 = 0.4 uF C6 = 0.1 uF
C7 = 0.1 uF IC1 = TL064
25W Mosfet audio amplifier
25W Mosfet audio amplifier
-- High Quality simple unit
-- No need for a preamplifier
Circuit diagram:
Parts:
R1,R4 = 47K
1/4W Resistors
R2 = 4K7 1/4W Resistors
R3 = 1K5 1/4W Resistors
R5 = 390R 1/4W Resistors
R6 = 470R 1/4W Resistors
R7 = 33K 1/4W Resistors
R8 = 150K 1/4W Resistors
R9 = 15K 1/4W Resistors
R10 = 27R 1/4W Resistors
R11 = 500R
1/2W Trimmer Cermet
R12,R13,R16 = 10R 1/4W Resistors
R14,R15 = 220R 1/4W Resistors
R17 = 8R2 2W Resistor
R18 = R22 4W Resistor (wirewound)
C1 = 470nF 63V Polyester Capacitor
C2 = 330pF 63V Polystyrene Capacitor
C3,C5 = 470?F 63V Electrolytic Capacitors
C4,C6,C8,C11 = 100nF 63V Polyester Capacitors
C7 = 100?F 25V Electrolytic Capacitor
C9 = 10pF 63V Polystyrene Capacitor
C10 = 1?F 63V Polyester Capacitor
Q1-Q5 = BC560C 45V100mA Low noise High gain PNP Transistors
Q6 = BD140 80V 1.5A PNP Transistor
Q7 = BD139 80V 1.5A NPN Transistor
Q8 = IRF532 100V 12A N-Channel Hexfet Transistor
Q9 = IRF9532 100V 10A P-Channel Hexfet Transistor
Power supply circuit diagram:
Parts:
R1 = 3K3 1/2W Resistor
C1 = 10nF 1000V Polyester Capacitor
C2,C3 = 4700?F 50V Electrolytic Capacitors
C4,C5 = 100nF 63V Polyester Capacitors
D1 200V 8A Diode bridge
D2 5mm. Red LED
F1,F2 3.15A Fuses with sockets
T1 220V Primary, 25 + 25V Secondary 120VA Mains transformer
PL1 Male Mains plug
SW1 SPST Mains switch
Notes:
*Can be directly connected to CD players, tuners and tape recorders. Simply add a 10K Log potentiometer (dual gang for stereo) and a switch to cope with the various sources you need.
*Q6 & Q7 must have a small U-shaped heatsink.
*Q8 & Q9 must be mounted on heatsink.
*Adjust R11 to set quiescent current at 100mA (best measured with an Avo-meter in series with Q8 Drain) with no input signal.
*A correct grounding is very important to eliminate hum and ground loops. Connect in the same point the ground sides of R1, R4, R9, C3 to C8. Connect C11 at output ground. Then connect separately the input and output grounds at power supply ground.
Technical data:
Output power: well in excess of 25Watt RMS @ 8 Ohm (1KHz sinewave)
Sensitivity: 200mV input for 25W output
Frequency response: 30Hz to 20KHz -1dB
Total harmonic distortion @ 1KHz: 0.1W 0.014% 1W 0.006% 10W 0.006% 20W 0.007% 25W 0.01%
Total harmonic distortion @10KHz: 0.1W 0.024% 1W 0.016% 10W 0.02% 20W 0.045% 25W 0.07%
Unconditionally stable on capacitive loads
FET Audio Mixer
FET Audio Mixer
This simple circuit mixes two or more channels into one channel (eg. stereo into mono). The circuit can mix as many or as few channels as you like and consumes very little power. The mixer is shown with two inputs, but you can add as many as you want by just duplicating the "sections" which are clearly visible on the schematic.
Schematic
Parts
Part Total Qty. Description
R1, R3 2 10K Pot
R2, R4 2 100K 1/4 W Resistor
Wednesday, December 26, 2007
Sound Level Meter
Sound Level Meter
Schematic
Parts
Part Total Qty. Description
C1 1 2.2uF 25V Electrolytic Capacitor
R1 1 1K 1/4W Resistor
D1 1 1N4002 Silicon Diode
LED1-LED10 10 Standard LED or LED Array
U1 1 LM3915 Audio Level IC
MISC 1 Board, Wire, Socket For U1
Notes
1. V+ can be anywhere from 3V to 20V.
Amplifier of acoustic frequencies with preamplifier
Amplifier of acoustic frequencies with preamplifier
TECHNICAL CHARACTERISTICS:
Tendency of catering: 15V
Force of expense: 4,2Wrms in the 4W
Materially:
R1 2,2KW
R2 330KW
R3 4,7KW logarithmic potentiometer
Bass-treble tone control circuit
Bass-treble tone control circuit
Features:
Wide supply voltage range, 9V to 16V
Large volume control range, 75 dB typical
Low distortion, 0.06% typical for an input level of 0.3 Vrms
High signal to noise, 80 dB typical for an input level of 0.3 Vrms
Few external components required
Note: Vcc can be anything between 9V to 16V and the output capacitors are
10uF/25V electrolytic.
Motorola Hi-Fi power amplifier
Motorola Hi-Fi power amplifier
Some comments:
2N3055 Power Amplifier
Some comments:
Digital Volume Controller
Digital Volume Controller
Thursday, November 29, 2007
1.5 Hour Lamp Fader (Sunset Lamp)
1.5 Hour Lamp Fader (Sunset Lamp)
Automatic 12 Volt Lamp Fader
Other possible hookups
12 Volt Lamp Dimmer
FM Beacon Broadcast Transmitter (88-108 MHz)
FM Beacon Broadcast Transmitter (88-108 MHz)
Micro Power AM Broadcast Transmitter
Micro Power AM Broadcast Transmitter
R = 80*[(pi)^2]*[(Length/wavelength)^2]*(a factor depending on the form of the current distribution) The factor depending on the current distribution turns out to be [(average current along the rod)/(feed current)]^2 for short rods, which is 1/4 for a linearly-tapered current distribution falling to zero at the ends. Even if the rods are capped with plates, this factor cannot be larger than 1. Substituting values for a 9.8 foot dipole at a frequency of 1.6 MHz we get R= 790*.000354*.25 = .07 Ohms. And the resistance will be only half as much for a monopole or 0.035 Ohms. Radiated power at 20 milliamps works out to about I^2 * R = 14 microwatts.
Wednesday, November 28, 2007
Parallel Port Relay Interface
Parallel Port Relay Interface
Simple Op-Amp Radio
Thermostat for 1KW Space Heater (SCR controlled)
Thermostat for 1KW Space Heater (SCR controlled)